Showing posts with label public scholarship. Show all posts
Showing posts with label public scholarship. Show all posts

Wednesday, October 29, 2008

my old office

sometime in may 2006, my old office, located on the first floor of the communications building at the university of washington, looked like this:


it started with a NO IRAQ WAR sign.

sometime in 2003, i taped a NO IRAQ WAR sign to the hallway window of my office. within days, it was stolen. so i got another NO IRAQ WAR sign and taped it to the outside window of my office. within a day, it was taken down, torn into four or five pieces, and pushed under my door and into my office. so i got a third NO IRAQ WAR sign and taped it to the outside of my office. within a day, it was taken down and torn up, into dozens of pieces this time, and jammed under my door and into my office.

so i got a fourth NO IRAQ WAR sign. but this time, i taped it from the inside.


soon after, the stickers began to appear.

i put up the first few - war is terrorism. keep santa cruz weird. god bless the freaks.

within days, people, students i assume, began sticking stickers to my office window. stickers with all kinds of slogans - arms are for hugging. arthur magazine. keep abortion legal. chicago bulls. indian country. kexp. are you part of the problem or part of the solution? trust women.

one day, a UW student-athlete enrolled in my intro to communication class and playing on the football team asked me if i would stick a husky football sticker on my office window. "sure," i answered, "but it would be cooler if you did it."

miraculously - and beautifully - none of the stickers covered the NO IRAQ WAR sign.


about once a semester, i'd drag out some boxes, cover them in colorful tapestries, and offer free books, magazines, tapes, CDs, masks, canteens, candle-sticks, stickers, and other assorted freebies. above the colorful boxes, i taped a sign that said FREE STUFF. most of the stuff would disappear by the end of the day.





one time, i put out 10-15 years-worth of issues of journal of communication, a prestigious journal in the field of communication. no issues were taken. on the other hand, this wooden cow head mask got taken within minutes.


the last detail was a vertical column of print-outs of my gone series. starting with the resignation of tom delay, the gone series is an archive of politicians, mostly linked to george w. bush, who have recently resigned, been fired, or been thrown in jail.


back in may 2006, i began to print out the blog entries and tape them to the wall next to the window. if i had stayed at UW, the print-outs of the criminals would have taken over my office wall, window, and door.


last weekend, i traveled to UW for irina gendelman's dissertation defense. while on campus, i skipped down the hall to see my old office. it's much cleaner and more shiny. and it has less stickers.

Sunday, August 03, 2008

scholarship in public

when i told my friend and colleague kelly quinn that i was going to write my tenure packet this summer, she suggested i read a document called "scholarship in public: knowledge creation and tenure policy in the engaged university" put out by imagining america, a national consortium of colleges and universities committed to public scholarship in the arts, humanities, and design. i had heard of imaging america before, via kathy woodward at the university of washington, and remember julie ellison visiting UW one summer as part of the simpson center for the humanities annual institute on the public humanities for doctoral students. kq's suggestions are always smart, so i packed "scholarship in pubic" for my trip to stonelake farm.


the "scholarship in public" report concentrates on two things: "publicly engaged faculty and on how to change tenure and promotion policies for them" (p. 5). the report's audience is graduate students; junior faculty and senior faculty; "middle ground" leaders like department chairs, center and program directors, and deans; and university leaders like presidents and provosts.

for me - and for anyone else currently involved (or may one day get involved) in public scholarship and writing a tenure packet - the most useful part of the report was a paragraph on page six. it's the place where "scholarship in public" offers an excellent definition of public scholarship:

"Publicly engaged academic work is scholarly or creative activity integral to a faculty member's academic area. It encompasses different forms of making knowledge about, for, and with diverse publics and communities. Through a coherent, purposeful sequence of activities, it contributes to the public good and yields artifacts of public and intellectual value" (p. 6).


the first part of the report seeks to expand what counts as scholarly and creative work. instead of obsessively (and inaccurately) placing all pieces of scholarship within the narrow categories of research, teaching, and community service, the report urges a more holistic approach, one that considers a continuum of scholarship. for example, the report cites portland state university's tenure policy as the right idea:

"One should recognize that research, teaching, and community outreach often overlap. For example, a service learning project may refl ect both teaching and community outreach. Some research projects may involve both research and community outreach. Pedagogical research may involve both research and teaching. When a faculty member evaluates his or her individual intellectual, aesthetic, or creative accomplishments, it is more important to focus on the general criteria of the quality and significance of the work ... than to categorize the work" (p. 8).

according to "scholarship in public," adopting a continuum of scholarship is a good thing for universities (and colleges and community colleges). incorporating a continuum of scholarship into tenure and promotion policies: 1) makes it easier for a university to evaluate new or undervalued professional practices or artifacts; 2) helps to foster an intellectually and culturally diverse faculty; and 3) makes a statement about how a university defines its intellectual community and mission (p. 10).

the report's first part ends with three important points. first, recognizing a continuum of scholarship requires recognizing a continuum of artifacts. this could and should include publications and presentations, awards and recognitions for community outreach, adoption of faculty member's models for problem resolution, contributions to public policy, and models that enrich the artistic and cultural life of the community. second, public presentations of knowledge matter and count. having a member of the campus community engaging with various publics and sharing his or her knowledge and experience is a good thing for universities, colleges, and community colleges. and third, we must expand who counts as peers. we need - and those who evaluate us need - to broaden our concepts and communities of review.

parts two and three are interesting but are not directly relevant to my current focus to write my tenure narratives while at stonelake farm. but they are important and not to be missed. part two charts concerns of faculty doing or not doing public scholarship. it notes that although today's graduate students are extremely publicly active (check out UW's institute on the public humanities for doctoral students and look out for HASTAC scholars program coming to a campus near you), their mentors often urge them to stop. further, junior and mid-career faculty postpone or under-report their public scholarship. finally, there is also a heightened risk for students and faculty of color who are often already facing increased service expectations and responsibilities. part three is about changing the culture and includes tangible suggestions: working with and educating presidents, provosts, and deans; supporting departmental chairs; rewriting a department's statement on scholarship; exploring the intersections of departments, centers, and deans; employing participatory policy change (see what indiana university-purdue university indianapolis requires of its senior faculty on page 30 of the report); and, most importantly, listen to graduate students and learn about the projects that excite them.

the report is long - at 55+ pages too long - but it covers so much ground and is full of ideas and information about constructive ways to encourage public scholarship and collaborative community-based arts and cultural events and to reward them as scholarly activity.

as i leave the cybercafe on stonelake farm and return to the octagon and the fields below it, i begin to mull over the words i'll use to describe RCCS and the september project in my tenure narratives. with imagining america's fifty-two word definition of publicly engaged academic work swimming in my mind, i see all kinds of words and sentences taking shape.