Tuesday, August 26, 2014

moving image of students and faculty on the farm truck at black mountain college

photograph by helen post, circa 1936-37. animation by brent brafford, NCSU libraries.


(Image from Helen P. Modley Collection, Black Mountain College Collection, Western Regional Archives, Asheville, North Carolina.)

Friday, August 15, 2014

intro to media studies, fall 2014

MS 100: Intro to Media Studies
Section 1: MWF 10:30-11:35 am, Cowell 417
Section 2: MWF 11:45 am-12:50 pm, Harney 143

Professor David Silver
Office/Hours: Kalmanovitz 141, MW 9-10 am & by appointment
Contact: dmsilver [ at ] usfca [ dot ] edu / @davidmsilver

This course
introduces students to the field of media studies with a focus on media history and cultural studies. Beginning with the printing press and ending with social media, students will examine various media eras and developments and begin to appreciate the complex interactions between media and larger cultural, artistic, economic, political, and social conditions. Along the way, students will be introduce to USF media studies professors and various media-making opportunities on campus.

Learning Outcomes

Upon completion of this course, students will:


Be able to explain the key developments and social actors of media history;

Be able to explain how these key developments were and continue to be embedded within larger cultural, artistic, economic, political, and social conditions; and

Become familiar with USF media studies professors and various media-making opportunities on campus and in the city.

 
Calendar
Wed, 8/20: Introduction, distribute syllabi.

Fri, 8/22: Read Ken Auletta, “Outside the Box: Netflix and the Future of Television,” The New Yorker, February 3, 2014, http://nyr.kr/1AXUxMB

Unit One: Words

Mon, 8/25: Read Richard Campbell, Christopher R. Martin, and Bettina Fabos, "Newspapers: The Rise and Decline of Modern Journalism," Media & Culture: An Introduction to Mass Communication (2010): pp. 278-291.

Wed, 8/27: Read Jim Forest, "Servant of God Dorothy Day," The Catholic Worker Movement, 2013, http://bit.ly/DorothyDay

Fri, 8/29: Read Eric Alterman, "Out of Print: The death and life of the American newspaper," The New Yorker, March 31, 2008, http://nyr.kr/1kLHzNt

Mon, 9/1: Labor Day: No class

Wed, 9/3: Read, front to back, a 9/1 or 9/2 print issue of the San Francisco Chronicle. Observe everything. Bring entire paper to class and be prepared to discuss.

Fri, 9/5: Guest lecture: Teresa Moore, associate professor of media studies and faculty advisor to the Foghorn. Readings to be determined.

Mon, 9/8: Read Campbell et al, “Magazines in the age of specialization,” Media & Culture (2010): pp. 312-336.

Wed, 9/10: Read Jean Kilbourne, “‘The more you subtract, the more you add’: Cutting girls down to size,” Can’t Buy My Love: How Advertising Changes the Way We Think and Feel (1999): pp. 128-154

Fri, 9/12: Midterm 1

Unit Two: Images

Mon, 9/15: Read Steven Lubar, “Pictures,” in InfoCulture: The Smithsonian Book of Information Age Inventions (1993), pp. 51-64.

Wed, 9/17: Read Kate Bevan, “Instagram is debasing real photography,” The Guardian, July 19, 2012, http://bit.ly/1speINN; Clive Thompson, “The Instagram Effect,” Wired, December 27, 2011, http://wrd.cm/1u3SS6o; and Olivier Laurent, “The New Economics of Photojournalism: The rise of Instagram,” British Journal of Photography, September 3, 2012, http://bit.ly/1mreMse

Fri, 9/19: Read Scott McCloud, “Setting the record straight,” from Understanding Comics: The Invisible Art (1993), pp. 2-23.

Mon, 9/22: Read Steven Lubar, “Movies,” in InfoCulture (1993), pp. 199-211.

Wed, 9/24: Guest lecture: Danny Plotnick, adjunct professor in media studies and director of film studies minor. Read Mark Taylor, "It Lives: Artists’ Television Access Turns Thirty," KQED Arts, September 4, 2014 http://bit.ly/1oZQHJB

Fri, 9/26: Visit from Career Services Center.

Mon, 9/29: No class. In place of class, students will select one educational video or documentary from USF's online video collections - including Film On Demand, Kanopy, and Media Education Foundation Collection - watch it, and be ready to discuss. http://www.usfca.edu/library/videos

Wed, 10/1: Read Richard Campbell et al, “Television and cable: The Power of Visual Culture,” Media & Culture (2010): pp. 193-235.

Fri, 10/3: Read course-sourced readings on cable/long-form series like Breaking Bad, Game of Thrones, Orange is the New Black, and The Wire.

Mon, 10/6: Read Emily Nussbaum, "The Host in the Machine: Late-night blahs," The New Yorker, May 19, 2014, http://nyr.kr/1psrA6z; Terry Gross, "Late Night 'Thank You Notes' From Jimmy Fallon" (39 minutes), Fresh Air, NPR, May 23, 2011, http://n.pr/1mK6iwH; Jacob Bernstein, "The Morning Muse of Television," New York Times, May 9, 2014, http://nyti.ms/1psrU5f

Wed, 10/8: Guest lecture: Dorothy Kidd, professor and chair of media studies and faculty advisor to KUSF. Read Dorothy Kidd's "'We Can Live without Gold, but We Can't Live without Water': Contesting Big Mining in the Americas," forthcoming in Andy Lee Roth and Mickey Huff, editors, Project Censored 2015 (2015), pp. 223-243.

Fri, 10/10: Midterm 2

Unit Three: Sounds

Mon, 10/13 Fall Break: No class.

Wed, 10/15: Read Steven Lubar, “Radio,” in InfoCulture (1993), pp. 213-241.

Fri, 10/17: Read: Lubar, “Radio” (continued).

Mon, 10/20: Read Susan J. Douglas, “Amateur Operators and American Broadcasting: Shaping the Future of Radio,” in Joseph J. Corn, editor, Imagining Tomorrow: History, Technology, and the American Future (1986), pp. 35-56.

Wed, 10/22: Guest lecture: Miranda Morris, Coordinator of KUSF. In preparation for Miranda’s visit, take some time to list to www.kusf.org. Also, watch Kim Kinkaid’s “How to become a KUSF DJ” (2:06 minutes), USFtv, May 6, 2014, http://bit.ly/1nQ5p5b; and Cristina Pachano-Lauderdale’s “KUSF Rock-n-Swap” (3:59 minutes), USFtv, September 30, 2013, http://bit.ly/1lVpF5O

Fri, 10/24: No class. Students watch individually or group-selected documentaries on popular music. Students can select a doc from USF's online video collections (Film On Demand, Kanopy, and Media Education Foundation Collection); from San Francisco Public Library or LINK+; or from whatever platform you use to get good free stuff.
  
Mon, 10/27: Guest lecture: Marjorie Schwarzer, administrative director of University of San Francisco's graduate museum studies program. Read Marjorie Schwarzer, "Broadcasting Dialogue: Citizen Journalism, Public Radio, and Museums, Museums & Social Issues, fall 2007, pp. 221-232; and watch “Riches Rivals & Radicals: 100 Years of Museums in America” (57 minutes), http://bit.ly/1v8LGU1

Wed, 10/29: Read course-sourced readings on popular music and culture.

Fri, 10/31: Individual popular music exhibit due in class.

Unit Four: Putting it all together

Mon, 11/3: Guest lecture: Brenton Malin, associate professor of communication and affiliate faculty of cultural studies, University of Iowa. Readings to be determined.

Wed, 11/5: Read Dr. Suess, "The Lorax" (1971); and Jennifer Lance, "Selling Out the Lorax: 70 Different Product Tie Ins," Eco Child's Play, March 1, 2012, http://bit.ly/1AZhnU1

Fri, 11/7: Readings on Disney and convergence from Richard Campbell et al, Media & Culture (2010): pp. 11-14, 58-62, and 462-466.

Mon, 11/10: Class prep for group Thacher Gallery pop-up exhibit.

Wed, 11/12: Group Thacher Gallery pop-up exhibit.

Fri, 11/14: Read Stacy Schiff’s “Know It All: Can Wikipedia conquer expertise?” The New Yorker, July 31, 2006, http://nyr.kr/1shnlx0

Mon, 11/17: Read Margaret Talbot, "The Teen Whisperer: How the author of 'The Fault in Our Stars' built an ardent army of fans," The New Yorker, June 9, 2014, http://nyr.kr/1pv7tVn

Wed, 11/19: Media Fast assignment

Fri, 11/21: Read Yiren Lu, “Silicon Valley’s Youth Problem,” New York Times Magazine, March 12, 2014, http://nyti.ms/1u40aXL

Mon, 11/24: Read Dave Eggers, “We like you so much and want to know you better,” excerpt from the novel The Circle (2013), http://nyti.ms/1soEDoG

Wed, 11/26: Watch The Social Network (2010) and read Zadie Smith, “Generation Why?” New York Review of Books, November 25, 2010, http://bit.ly/V69SJX

Fri, 11/28: Thanksgiving: No class

Mon, 12/1: Final review and class party

Wed, 12/3: Final exam

Grading
20% -- Quizzes, homework, and in-class assignments
15% -- Midterm 1
15% -- Midterm 2
15% -- Individual popular music exhibit
15% -- Group Thacher Gallery pop-up exhibit
20% -- Final exam

Course Costs
All readings will be provided to students as PDFs or are available for free online. I may require students to print out some of the readings. Finally, students are required to purchase one print version of the San Francisco Chronicle for a whopping one doallar.

Attendance Policy
Missing class, or attending class unprepared, will significantly affect your final grade. If you do miss class, contact a classmate to find out what we discussed in class and ask to borrow her or his notes. Then, do the same with a second classmate. After doing this, if you still have questions about missed material, visit me during office hours or email me.

Course Rules
1. No late work accepted.
2. No drinking out of non-reusable containers during class.

Saturday, May 03, 2014

summer undergraduate research assistantships with the USF community garden

The Urban Ag minor at USF is looking to hire three undergraduate research assistants to manage the USF Community Garden this summer. The RAships run from May 19, 2014 - August 8, 2014.

RA duties include:

1. Plan and plant summer garden beds;
2. Maintain garden - weeding, watering, oversee irrigation, manage compost;
3. Plan, manage, and implement weekly community work days - publicize work days, organize group tasks, and hold open garden hours;
4. Work on monthly community dinners at St. Cyprian's;
5. Work with Upward Bound students teaching garden skills;
6. Harvest and deliver fresh produce to Booker T. Washington Community Service Center's food pantry;
7. Maintain @USFGarden's multiple social media platforms;
8. Start starts for fall classes; and
9. Keep the garden kitchen clean.


Ideal candidates have experience in the USF Garden (either through workdays and/or classes), work well in collaborative situations, are self-directed, and enjoy working with the public. Each summer research assistant will work a total of 100 hours over the summer and be paid $10.55/hour. Undergraduate RAs will report to Novella Carpenter.

Interested USF students must email David Silver (dmsilver [ at ] usfca [ dot ] edu) no later that 5 pm on Wednesday, May 7. In your email, please describe your qualifications, state your availability for summer, and tell us why you want the job. After consulting with Novella Carpenter and Justin Valone, David will notify all candidates by Friday, May 9. Good luck!

Friday, April 11, 2014

urban ag course offerings (summer & fall, 2014)

URBAN AG COURSE OFFERINGS
Summer and fall, 2014

Summer 2014

ENVA 390: Urban Agriculture Intensive
Professor Novella Carpenter
MWF 9:50 am – 4:45 pm, July 22 – August 8

Fall 2014

ENVA 130: Urban Ag: Fall
Professor Novella Carpenter
Wednesdays, 11:45 am – 3:25 pm

ENVA 145: Community Garden Outreach
Professor Rachel Brand Lee
Thursdays, 11:45 am – 3:25 pm

ENVA 220: Intro to Urban Agriculture
Professor Rue Ziegler
MW 4:45 – 6:25 pm

 
ARCD 400 (section 01): Community Design Outreach
Professor Seth Wachtel
TTH 9:55 am – 12:40 pm

ARCD 400 (section 02): Community Design Outreach
Professor Seth Wachtel
TTH 12:45 – 3:30 pm

BUS 389: Fundamentals of Culinary Skills
Professor Jean-Marc Fullsack
TH 12:45 - 3:30 pm

HIST 341: Feast and Famine: A History of Food
Professor Heather Hoag
TTH 8:00 – 9:45 am

For more information, please contact Professor David Silver (dmsilver [ at ] usfca [ dot] edu)

Saturday, March 01, 2014

homework assignment for golden gate park first-year seminar

Homework assignment for Golden Gate Park first-year seminar

Last week, we read the preface and two chapters of Gary Kamiya's Cool Gray City of Love: 49 Views of San Francisco. In one of the chapters, we learned that the Human Be-In took place in Golden Gate Park on January 14, 1967.


For class on Tuesday, please research some element of the Human Be-In and be ready to share your findings in class. Also, please tweet your findings, or a portion of your findings, prior to class. Be sure to use our class hashtag #fysggp in your tweet.

Finally, bring a typed draft of your paper one - at least one page, more if you got it - to class and be ready to share it with classmates.

Wednesday, February 26, 2014

twitter assignment

twitter assignment for golden gate park first-year seminar students:

1. if you have not yet joined twitter, join twitter.

2. create a profile. you are not required to use your real name in your profile but you certainly can.

3. make your profile public. if you already have a twitter account that is private and wish to keep it that way, create a new account for this class.

4. find and follow all members (students and professor) of our class.

5. also follow @GoldenGatePark, @GleesonLibrary, @itweetUSF, and @usfca.

6. get into the habit of checking twitter at least once a day.

Sunday, February 23, 2014

paper 1 for golden gate park first-year seminar

Paper 1 for Golden Gate Park

1. For the last five weeks, we have been reading about, discussing, and visiting Golden Gate Park. We have learned about the park's history and early hurdles, the California Midwinter International Exposition of 1894, and the Japanese Tea Garden. We have taken field trips to the Horseshoe Pits, The Conservatory of Flowers, the de Young Tower, the Fuchsia Dell, and the Japanese Tea Garden.

 
2. Now it's time to write. Select an aspect about the history of Golden Gate Park, the California Midwinter International Exposition of 1894, or the Japanese Tea Garden. Write a 3-4 page, typed, and double-spaced paper about it.

3. In your paper, you must use three sources. Two of these sources must be readings assigned in class. The third source must come from you.

4. Think a bit about that third source. Do not select the first one you find. Do not select one that does not interest you. Take some time with this third source.

5. What I am looking for more than anything in this paper is your ability to summarize and quote from readings. In other words, I am looking for your successful application of the ideas found in Gerald Graff and Cathy Birkenstein's chapters, "'Her Point Is': The Art of Summarizing" and "'As He Himself Puts It': The Art of Quoting," both found in They Say/I Say: The Moves That Matter in Academic Writing.

6. Pro tip: Although you will have plenty of opportunities this semester to explore creatively and in depth the past, present, and future of Golden Gate Park, the purpose of this paper is less about the park and more about highlighting your understanding and mastery of the writing moves discussed in They Say/I Say.

7. I expect and require you to thoroughly edit your paper. If I find three or more errors - spelling, grammar - I will stop reading your paper, return it to you, and ask you to re-edit and re-submit. When editing your paper, please consider reading it out loud. Also, consider swapping your paper with another student or students and edit each others' work.

8. It is extremely important to follow directions. Please consider reading this paper assignment a second time. Go crazy and read it a third time.

9. Paper 1 is due in class on Thursday, March 6. No late work accepted.